MASTERCLASS: BESTSELLING PACING with NY Times bestseller JONATHAN MABERRY
Saturday, February 22, 10am - 1pm PST (1-4pm EST) via ZOOM
DESCRIPTION: Novels can be short or long—and in some genres very long—but they should always move along at a brisk yet compelling pace. NY Times bestseller Jonathan Maberry, author of over fifty novels in multiple genres, is your tour-guide for a journey through the art and science of PACING. Topics covered include:
TO ENROLL: $50. (To enroll make a PayPal payment to jonathan_maberry@yahoo.com NOTE: If you don't have a PayPal account, email me to make other arrangements (check, etc).
Proceeds benefit families displaced by the LA wildfires and emergency animal shelters.
NY Times bestseller Jonathan Maberry is a 5-time Bram Stoker Award Winner who has built a career out of using these old-world monsters to scare his audience –as seen in his recent Netflix series, V-Wars, based on his best-selling novels and comics. He is the author of over 50 novels, 170 short stories, six nonfiction books on supernatural folklore, 28 runs of comics, and executive producer on film and TV projects based on his fiction. He is also the editor of Weird Tales Magazine, now in its 102nd year!
BUILDING A BETTER MONSTER: Writing and Selling Original Horror Fiction
Description: We’ve seen just about every version of vampires, werewolves, zombies and ghosts, right? Actually…no. The versions of monsters so often used in movie, TV and novels are the Hollywood versions. Sanitized, romanticized, and—after all these years—not all that scary anymore. To really frighten today’s jaded readers the trick is to go old school. There are thousands of monsters in myth, legend and folklore that would scare Dracula and send the Wolfman running with tail between his legs. In this workshop, we’ll discuss:
THE NOVEL: FROM FIRST DRAFT TO BOOKSHELF
DESCRIPTION: You’ve finished a first draft. Great! But…now what?
The journey from that raw draft to bookstores all over the country is filled with twists and turns. NY Times bestselling and 5-time Bram Stoker Award winning author Jonathan Maberry will be your guide in this Masterclass. This intensive program includes:
• Beta readers and Freelance Editors
• Revision Strategies -Turning a Rough Draft into a Saleable Property
• Building your list of Possible Agents
• Pros and Cons of Peer Critique Groups (and how to make them awesome!)
• Pitching to Agents -Query Letters and Direct Pitches
• Business Etiquette for Writers
• Building and Branding your Writer’s Social Media Platform
• Setting up a Writing Business (Taxes, Deductions, Incorporation, and more!)
• Multiplatform Writing: Audio, eBook, eZines, and Print
• Exploring other Media to Expand your Business: Comics, Games, TV/Movies, and more
• Promoting your Work
• Building your Writers Network
• Resources for Writers
• And sooooo much more!
WRITING AND SELLING SHORT STORIES
DESCRIPTION: The short story is exploding and it’s a market constantly hungry for new talent and new voices! Short fiction is a great way to build your writing career and increase your professional income, it can also help you stretch as a writer. Short stories offer more creative opportunities than any other form of writing. We’ll discuss:
REVISION STRATEGIES FOR WRITERS!
Revisions are what make a story come alive! Throughout the writing process we are required to do various KINDS of revisions –early drafts of the work; polished drafts for submission; revisions based on notes from critique groups, agents, and editors; post-sale revisions; line edits; structural edits; and proofreading. At each stage, there is important work to do, and at each stage there’s an opportunity to make your work shine brighter.
This new masterclass - REVISION STRATEGIES FOR WRITERS!—will show you how to transform your work through different drafts, but also how to work with editors, interpret and apply their notes, and craft something that has the best chance of selling in today’s market.
We’ll cover a lot of ground, including:
• THE DIFFERENT KINDS OF REVISIONS
• DRAFT-BY-DRAFT REVISIONS
• THEMATIC EDITS
• TIME MANAGEMENT FOR REVISIONS
• WORKING WITH EDITOR NOTES
• EDITOR/AUTHOR ETIQUETTE
• THE TRICK OF THE ROLLING EDIT
• UNDERSTANDING CRITIQUES
• HOW TO CREATE A TRULY EFFECTIVE PEER CRITIQUE GROUP
• EDITING ON A DEADLINE
• INSIDER TRICKS FOR REVISIONS
• LEVELING UP WITH REVISIONS
• REVISION GAMES
• REVISING WITH A PARTNER
• REDUCING REVISION TIME WITH FUTURE PROJECTS
• And much more!
WRITING AND SELLING COMIC BOOKS
DESCRIPTION: Nothing is hotter than movies and TV shows based on comics. The comics industry is constantly changing, growing, developing new markets and forms. We live in an age of print, digital, webcomics, comics formatted for phones, comic-book tie-ins to video and board games, and much more. And there are a lot of movies and shows most people don’t know were based on comics –300, V for Vendetta, Ghost World, Road to Perdition, From Hell, The Crow, A History of Violence, Men in Black, Snowpiercer, Persepolis…not to mention all of the superhero stuff, ranging from Doom Patrol, to The Boys, Umbrella Academy, the Marvel and DC Cinematic universes, and so much more. This masterclass discusses:
FIGHT AND ACTION SCENES
DESCRIPTION: Well-written fights and chase and action scenes can turn a book into a red-hot page-turner…but they have to be done right. Join NY Times bestselling author Jonathan Maberry for a no-holds-barred workshop on how to write believable and riveting fight and action scenes. Included in this program:
· The Difference Between Martial Arts and Self-Defense
· Myths and Misconceptions About Fighting
· Types of Martial Arts
· Understanding Street Fighting
· Choreographing a Realistic and Effective Fight Scene
· Fights Scenes for Impossible Worlds (Vampires, Dragons, and Ghouls, oh my!)
· Armed and Unarmed Combat
· Building Tension in Action Scenes
· The Moral, Legal and Psychological Consequences of Self-Defense
· Avoiding Cliché in Fight Scenes
· And much, much more!
THRILLS AND CHILLS
PITCH & SELL NOVELS, COMICS, SHORT STORIES, AND MORE!
The publishing world changes constantly, and writers who want to make sales and make $$ need to change with it. Luckily, that process can be fun and very rewarding!
This new masterclass - PITCH & SELL NOVELS, COMICS, SHORT STORIES, AND MORE!—will show you how to prep and pitch any kind of writing, and how to start racking up the sales that will bring in cash and build your career.
We’ll cover a lot of ground, including:
· THE QUERY LETTER: new forms and strategies
· THE VERBAL PITCH: how to make a face-to-face pitch fun and successful
· SELLING SHORT STORIES: Finding and pitching to magazine and anthology markets
· SELLING COMICS: How to prep a pitch, where to find editors, and what materials you need
· PITCHING TIPS AND GAMES: How you and your writer friends can have fun preparing to meet agents and editors
· TALKING POINTS: How to identify those story elements that make a pitch come alive
· HOLLYWOOD PITCHES: Everything from how to craft a presentation/pitch deck to finding a book-to-film agent
· THE MARKET: How and where to learn about the changes in the market and newly opened doors!
· And much more!
ART OF THE PITCH
Join NY Times bestseller Jonathan Maberry for a class on THE ART OF THE PITCH. We’ll cover query letters and verbal pitches for novels, novellas, comic books, and specialty projects. And we’ll discuss how to make book pitching FUN instead of frightening!
ACT LIKE A WRITER
“Those are my principles. If you don't like them, I have others.”
- Groucho Marx
If you’re going to meet an agent, do a book signing, give a talk, interview, or any other real-world, face-to-face event as part of your writing career, an author needs a public face that has to be authentic, consistent, and compelling. A reader’s trust in an author is based on the fulfilled promise of the author’s brand. While readers buy individual books, their loyalty rests with the author. In today’s uber-connected world, an author becomes a public figure in an instant, and being ready for that moment is essential. ACT LIKE A WRITER provides tools, strategies, and insight for creating an authentic, consistent, and compelling author’s brand.
Developed by New York Times bestselling author Jonathan Maberry and actor/author Keith Strunk, this workshop focuses on how to be a celebrity even if you’re not famous yet. Discover your public persona that draws people to you and your words through fine-tuning your own personal style as a public presenter, interview subject, and reader/interpreter of your own work. You will learn how to build a brand that creates trust and builds loyalty among readers.
PITCHPREP WRITERS WORKSHOP
“Be great in act, as you have been in thought.”
-- William Shakespeare, King John
Crafting a pitch that perfectly captures the heart, power, and poetry of your work is perhaps as daunting as writing the work itself. Writers’ conferences provide the opportunity to pitch directly to agents and editors. The right pitch connects the vision of your imagination with the reality of the marketplace to start a conversation that leads to publication. All this in less than two minutes!
Pulled from the popular ACT LIKE A WRITER program developed by New York Times bestselling author Jonathan Maberry and actor/author/producer Keith Strunk, this workshop focuses on how to draw agents and publishers to you and your words with a face-to-face pitch that taps your own personal style to create an authentic, consistent, and compelling message that stimulates curiosity and conversation about your work.
WRITING DIALOGUE THAT WORKS
“The character of a man is known from his conversations.”
--Ancient Greek comic dramatist, Menander
In Hamlet, Shakespeare advises the actor to “suit the action to the word, the word to the action.” Sounds simple enough, but it’s the writer who must first heed Shakespeare’s advice. WRITING DIALOGUE THAT WORKS explores the tools needed to create honest, compelling, real dialogue that drives your story and brings your characters to life through their words.
THE AUTHOR AS THE STORYTELLER
“Get your facts first, then you can distort them as you please.”
-- Mark Twain
Readers expect an author that writes a good story can tell a good story. Whether it’s from your book, your life, or your imagination, an audience wants you to engage them with your words. This workshop explores the essential elements for telling a good story, reading an excerpt of your work, or sharing a bit of slightly re-written history.
BEING A COMPELLING PUBLIC READER
“In the tale, in the telling, we are all one blood.”
-- Ursula K. Le Guin
This hands-on workshop explores the essential elements for presenting a compelling public reading of your work. The workshop draws elements of the actor’s craft distilled into easily understood tools for breathing life into your readings and leaving your audiences enthralled with your words and wanting more. Participants will have the opportunity to prepare and read a cutting of their work in the workshop with direction from the workshop leader.
PRESENTATION SKILLS WORKSHOP
All the World’s a Stage (and where the Hell’s the exit?)
When thrust upon the public stage, your success is dependent upon understanding three main components driving the presentation: the venue, your content, and your delivery. This workshop provides hands-on discussion and practice of the tools used to master all three components with focus on techniques for managing nerves, structuring content, and improving delivery.
Keith Strunk is an actor, author, teacher, producer, and partner in Interlude Group LLC, a company specializing in effective interpersonal communication and presentation. His work experience includes teaching at Rutgers University and Ursinus College, film and video production in NY and regional markets, freelance writing, and corporate training and development. He is co-founder and Managing Director of River Union Stage, a professional Equity Theater based in Frenchtown, NJ, and a founding member of The Liars Club.
Keith holds an MFA in Theater from Rutgers University. An award-winning scriptwriter, he has written a variety of scripts for both corporate and artistic venues including a stage adaptation of A Christmas Carol. He is the author of Prallsville Mills and Stockton and The Delaware River Scenic Byway both from Arcadia Publishing, and “What Lies Between” in the LIAR LIAR Short Story Anthology available in print and audiobook formats. Corporate clients have included Chase Automotive Finance, King Pharmaceuticals, Medco Health Solutions, New York Board of Education, Nurture Nature Center, Princeton University, Prudential Financial, and Sika Corporation.
He's presented at numerous conferences including The Philadelphia Writer’s Conference, The Write Stuff Conference for the Greater Lehigh Valley Writers, and the Writer’s Digest Conference in New York. Keith’s workshops cover a range of subjects and include an interactive performance-based program for 4th and 5th grades in Shakespeare produced through River Union Stage and in its 19th year of operation.
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